Soft, milky pastels, carefully shuttered keys and precise object spots create a striking, high-contrast read across varied media. Cases mix diffused and harder concealed sources so objects appear to float from their backgrounds. The finale, a Jess Dobkin immersive, runs on a DMX sequence tied to sensors and AV triggers so motors, soundscapes and light breathe together.

“Accomplished and engaging.” — Evening Standard
“An illuminating look at the stuff of life.” — The Telegraph